Sample treatment For the Art of Being Human (detail) View full image

The Art of Becoming Human

What makes us human, what is the art of becoming human? How does art make us human? 

This project is conceived so that musicians and dancers can share space together; a space envisioned by visual artist Alexander Polzin, who creates elements that shape the space and engage the performers. The artists set off together to better learn and imagine how each of their art forms reflects and shapes (their) humanity. 

Together with five dancers and viol consort Phantasm, choreographer Sommer Ulrickson and Phantasm founder Laurence Dreyfus explore a programme of english consort music, notable for its 'imitations'; themes are copied, shared and varied among the parts.  Unlike a lot of later music, there is no hierarchy among the instruments, the form allows dancers to respond to the gestures and patterns, also to the individual musicians themselves. With its dynamic and strict equality of parts, consort music from the 16th and 17th centuries makes a strikingly contemporary impression. Its constant variations and repetitions allow performers to play with subtle differences and the effects they can evoke. , notable for its 'imitations'; themes are copied, shared and varied among the parts.  Unlike a lot of later music, there is no hierarchy among the instruments, the form allows dancers to respond to the gestures and patterns, also to the individual musicians themselves. With its dynamic and strict equality of parts, consort music from the 16th and 17th centuries makes a strikingly contemporary impression. Its constant variations and repetitions allow performers to play with subtle differences and the effects they can evoke. 

The Art of Becoming Human looks into the process of becoming human through discovery, struggle, challenge, and instruction. Through being pulled towards the ugly we learn to live between harmony and dissonance. This is something we do individually but also as part of a group, a culture, a society, an ensemble. We adapt. We want music and movement to inform and question each other, and in this way to challenge the audience in our inquiry. What common denominators determine our humanness? What does humanity require of us? These issues are located in the body and its gestures, they are moulded by the sounds and effects of music and are inspired by the images that engulf us. 

Creative Team

Visual concept: Alexander Polzin
Choreographer: Sommer Ulrickson 
Viol: Laurence Dreyfus